Best of 2014: Movies March 13, 2015Posted by David Card in Media.
Tags: Academy Awards, best of, movies
After my humiliating defeat at the hands of my sister in the family Oscars pool, it’s finally time for this post. But first, the usual stats, courtesy of Box Office Mojo.
- Last year’s domestic box office gross was down 5 percent, after two pretty good years in a row. And Box Office Mojo is counting sales from Number One film American Sniper as 2014, even though most occurred in January 2015 and beyond. Last year, nothing cracked $400 million; three movies have $300+ million so far: Sniper, Hunger Games 3A, and Guardians of the Galaxy. Recent big years had multiple $400-million releases, topped by a monster like The Avengers with $600 million or Avatar at $750 million.
- As usual, almost all of last year’s Top 10 were either cartoons or superheroes. Katniss and Chris Kyle pretty much qualify as superheroes, and the phenomenally crappy Transformers movie might as well be a cartoon. Guardians and The LEGO Movie did just fine as as franchise-starters at over $330 million and $250 million, respectively. Disney and Warners are in good shape, and while Fox may be gnashing its teeth over fading franchises, no studio had a huge-budget flop.
Among those big hits, Sniper was solid, but Guardians got more critical love than it deserved, because it felt fresher than most played-straight superheroics. But come on, who makes a mix tape with “Pina Colada” and “Cherry Bomb?” Most of my favorites of the year fell well below the Top 10 earners.
Which is not to say I’m a complete snob. I go to the movies weekly, and love blockbusters as well as indies. I’m a hard grader who reserves 5 stars in Rotten Tomatoes or Flixster for true classics. Last year I saw seven 3.5-star movies – not a bad tally. My personal Top 10 were:
- Boyhood – This exercise in Texas slackerealism is a stunt, but an effective one. Just about the entire cast is so good – esp. the chemistry between Hawke and Coltrane – you actually care what happens to them. Why is that so rare?
- Only Lovers Left Alive – Hiddleston and SWINTON are the coolest vampire couple since Bowie and Deneuve.
- Whiplash – DI meets the drummer. The two leads are terrific, it’s superbly shot and edited, exciting, and will actually provoke discussion. Whiplash has little to do with jazz – it’s more like a corny sports movie – but I love corny sports movies.
- The Babadook – The best classic horror movie in years. Two great performances (Davis and Wiseman), a good look and sound design, and just as scary thematically as “literally.” Can’t wait to see what Jennifer Kent does next.
- Stalingrad – Old-fashioned, sentimental, propagandistic? But also epic. Great Russian cast overcomes under-written parts and matches the 3D spectacle.
- Mr. Turner – One wonders if the eccentric bloke really grunted that much, but some of the vignettes are brilliant, most of the cast is very, very good, and the cinematography really does hint at the sublime.
- American Sniper – Largely apolitical and super-patriotic, it’s still gripping and troubling. Cooper’s superb, un-flashy performance wasn’t completely ignored by the major awards nominators. Glad he was on our side – hoohyah!
To get to 10, the 3-star movies that will hold up best included:
- The Grand Budapest Hotel – For once, Anderson’s fussy art direction works wonders, Fiennes is a marvel, and there’s even a hint of heart. A sad and nostalgic one.
- Fury – Old-fashioned nearly to the point of cliche, but delivers some powerful scenes. Pitt is charismatic and the tanks look authentic, even if the tracers don’t. Three good war movies in one year?
- John Wick – Lean and mean. Exciting choreographed violence shot coherently FTW.
In the based-on-a-true-story category, I liked Get on Up a little better than Foxcatcher, which was a little too cold, and far more than Selma, which had some effective scenes but was really only a few cuts above Movie-of-the-Week material. The best animated movie I saw was Miyazaki’s The Wind Rises (I didn’t see LEGO yet). It felt three dimensional with no need for 3D glasses. Birdman was overheated and thematically shallow.
Possibly that affected my Oscar picks, though I try to predict, not cheer. I had Keaton for Best Actor, but only went 14 for 24, my worst in a few years, with only three of the big six. Boyhood was robbed.